▲建筑外立面|Building facade
01
川源蜀都·浦上有詩
the origin of brand
『老川浦』時啟1988。是年，南京浦口，古來即是文人墨客匯聚之地，謝昌莉女士懷揣著對美食的敬重，攜女寄望而來。從蓉城古都四川從1988-2018。三十年讓一個品牌牌磐石之安，蔓蔓日茂。
"Old Chuanpu" 1988. This is the year, Nanjing Pukou, which has been a gathering place for literati and writers since ancient times, Ms. Xie Changli came with her respect for food and her daughter's hope. Ancient capital of Sichuan from Chengdu from 1988-2018. Thirty years let a brand brand rock Ann, spreading day.
▲南京浦口|Nanjing Pukou
川道、詩意、生活是『川浦』的文化的精髓。
詩，是自由，是詩意著生活。
是朝九晚五，卻未淹滅對生活的溫柔。
遠方，不是以夢為馬，不是背離人世煙火，追浪遠方。
是心中若有詩情，人生處處是風(fēng)景。
學(xué)會享受生活的茍且，才能擁有自己的詩意和遠方。
不論身處何地，都是詩意的人生。
Chuando, poetry and life are the essence of "Chuanpu" culture.
Poetry, is freedom, is a poetic life, is nine to five, but not drowned out the tenderness of life. Far away, not to dream as a horse, not away from the world fireworks, chasing waves far away. If there is poetry in the heart, life is scenery everywhere. Learn to enjoy life, can have their own poetry and distance. Wherever you are, it is a poetic life.
▲外立面 | Exterior elevation
在所有外景最大化借入的前提下，我們在餐廳門面外觀設(shè)計了六扇移門，它是劃分內(nèi)部和外部空間的關(guān)鍵要素。門上的上懸窗也是提取自老建筑中的樣式，透光遮雨，既有通透性又有隱私性。倚窗觀雨，落花飲食，歸園田居的生活正是每個東方人心底里的向往。而這也正是『川浦』的文化的精髓。
Under the premise of maximizing the borrowing of all exterior views, we designed six sliding doors on the exterior facade of the restaurant, which is a key element dividing the interior and exterior Spaces. The upper hanging window on the door is also extracted from the old building style, light and rain, both permeability and privacy. Leaning against the window to watch the rain, falling flowers to eat, return to the garden life is the heart of every Oriental yearning. And this is the essence of "Kawasaki" culture.
為了讓這個三十年的牌子煥發(fā)新的風(fēng)貌，經(jīng)過深入的交流與碰撞，我們確定了中航店的一些重要思考，打破之前的空間格局與設(shè)計風(fēng)格。空間主打暗色調(diào)的設(shè)計風(fēng)格，大量暗色的運用與暖色光源搭配，打造出獨特的光影效果。身處都市卻擁有一片靜謐。將古韻美學(xué)巧妙地融入于當(dāng)代都會空間中，形成簡約大氣和內(nèi)斂雅致的現(xiàn)代觸感，現(xiàn)代風(fēng)格與中式風(fēng)格相互碰撞、相互融合。
In order to make this 30-year-old brand glow with a new look, after in-depth communication and collision, we determined some important thinking of AVIC store, breaking the previous spatial pattern and design style. The space features a dark design style, and a large amount of black is used with warm light sources to create a unique light and shadow effect. In the city, there is a quiet. The ancient aesthetics are cleverly integrated into the contemporary urban space, forming a simple atmosphere and a modern touch of restrained and elegant. Modern style and Chinese style collide and merge with each other.
從踏入川浦的第一秒，以至隨后深入其中的時時刻刻，你都能感受到仿佛進入另外一個時空。讓顧客沉浸在沖撞所帶來的全新感受。
From the first second you step into Kawura, to the moments that follow, you will feel as if you have entered another time and space. Let the customer immerse in the new feeling brought by the collision.
粗疏的灰色藝術(shù)漆與精致的楓木木飾面組成的肌理特性,將室內(nèi)的氛圍突出的更具松弛與灑脫。
The texture of natural white cave stone and maple wood veneer makes the indoor atmosphere more relaxed and free.
02
他鄉(xiāng)川承·古韻美學(xué)
brand keyword
川人的豁達與開放，包容與務(wù)實造就了川西建筑的多元化格局。空間設(shè)計部分，我們突破原有格局，重視川菜文化傳遞，講究地方特色性并將其融入在空間中。
The openness, inclusiveness and pragmatism of Sichuan people have created the diversified pattern of western Sichuan architecture. In the space design part, we break through the original pattern, pay attention to the transmission of Sichuan cuisine culture, pay attention to local characteristics and integrate it into the space.
將獨立的建筑單體塞入空間當(dāng)中，自由與圍合式的布局形態(tài)填滿建筑內(nèi)部,營造室內(nèi)和建筑體的視覺對比與沖突。從室外-入口至室內(nèi),一步一景強調(diào)了漫步、過渡、治園的情緒設(shè)計。
The independent building units are crammed into the space, and the free and enclosed layout forms fill the interior of the building, creating visual contrast and conflict between the interior and the building body. From the outdoor - entrance to the interior, the step-by-step view emphasizes the emotional design of walking, transition and governing the garden.
格柵吊頂上燈光的設(shè)計方式也更像是萬家燈火時的記憶呈現(xiàn)。空間中半包圍的隔斷，采用楓木飾面貼杜邦紙，精致的木色與紙張的粗糙觸感，象征著川菜里精致與粗礪的特性。
The design of the lights on the grid ceiling is also more like the memory of the lights.The semi-enclosed partition in the space uses maple veneer pasted with dupont paper, delicate wood color and rough touch of paper, symbolizing the delicate and rough characteristics of Sichuan cuisine.
▼空間分析| Space analysis
▲軸測圖| Axonometric drawing
竹編的勞作工具是川西人民最親密的助手,我們將其打破重新詮釋了它們，用木條格柵代替竹制，創(chuàng)造了許多相關(guān)的內(nèi)部組件，包括遮陽篷和屏風(fēng)，它們成為空間印象的延伸。
川西建筑中多曲線勾勒的斜坡頂,在空間設(shè)計中，圍合式的布局形態(tài)搭配木質(zhì)格柵的傾斜屋頂結(jié)構(gòu)，營造出樸實飄逸的田園人家的感覺，也反映了川人悠閑度歲月、瀟灑漫時光的生活態(tài)度。
The bamboo woven work tools are the closest assistants of the people of western Sichuan, and we have broken them down and reinterpreted them, replacing the bamboo with a wooden strip grating to create many related interior components, including awnings and screens, which become an extension of the spatial impression.
In the space design, the enclosed layout form and the sloping roof structure with wooden grilles create a simple and elegant pastoral feeling, and also reflect the life attitude of Sichuan people who spend time leisurely and carefree.
▼衛(wèi)生間| Washroom
▼包廂| Box
▼平面圖 | Plan
